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Rhoda Scott, originally from New Jersey
and living in France for most of her 40-year career, is one of the
world's most celebrated jazz organists. She was trained classically
at the Manhattan School of Music, and as the daughter of a minister
she was immersed in the music of the gospel church from a young age.
She also studied under acclaimed jazz organist Groove Holmes.
Scott's style combines the precision of classical music, the swinging
groove of jazz and blues, and the deep, rich soul of African-American spirituals.
She displays a graceful mastery of the Hammond B-3 organ through her
impeccable control over the entire instrument and her tasteful use of
drawbar registration. One notable aspect of her technique is that unlike many jazz
organists who play bass lines with their left hand, Scott uses her
left hand to chord and plays her bass lines entirely with her left
foot; she also chooses to play with bare feet, another rarity among
organists both classical and jazz alike, and has earned the nickname
"The Barefoot Lady".
Rhoda Scott is a unique voice in the
already obscure realm of jazz organ. Relatively few jazz musicians
have adopted the Hammond B-3 as their instrument of choice, which
makes a jazz organ performance a special treat for those who
appreciate its powerful, dynamic and truly original sound.
Scott frequently gives performances
throughout France and the rest of Europe, though it is a rare
occasion that she returns to perform North America. The Upstairs
Jazz Club is pleased to take this opportunity to host world-renowned
jazz organist Rhoda Scott, featuring Andre White on drums; Wednesday
January 18 and Thursday January 19, 2006.
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